THE KNYSNA FORESTS
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TREES ARE POEMS THAT THE EARTH WRITES UPON THE SKY
-Khalil Gibran
South Africa is blessed with many things, but it has always been short
of both water and natural woodlands. And yet of about 250,000 hectares
of indigenous forest which grew in the Southern Cape in the mid 1700's,
only about 65,000 hectares remain.
DESTRUCTION
Little is known of the earliest human inhabitants of the Garden Route,
except that they were mostly wanderers who relied largely on the ocean
for their sustenance. It is almost certain, therefore, that the forests
lay virtually untouched until the late 1700's, when woodcutters' posts
were established at George and Plettenberg Bay. In 1804, George Rex -
the man they call "the founder of Knysna" - settled here with
the express intention of exploiting the forests, and in 1817 the Naval
Commissioner at Simonstown wrote that the Knysna forests contained "a
sufficient quantity of fine timber to build a whole navy." A naval
dockyard was therefore established at Knysna in 1820, although it was
burned down twice before even a single ship was built and it was closed
after just 5 years. During World War II, however, a local boatyard, Thesen
& Co., was employed to build ships for the British Navy. Fortunately
for the Knysna forests, though, these vessels were built from imported
hardwoods, although the boats' knees, which held the ribs to the thwarts,
were made from indigenous milkwood.
Knysna's first harbour facility, the wooden 'Government Jetty,' was built
in 1883 and the brig Ambulant was its first visitor. She came to load
a typical cargo of the time: 3,000 railway sleepers cut from indigenous
yellowwood.
Harvesting continued throughout the 19th century and was responsible
for much of the destruction of the forests, although encroachment and
the Great Fire of 1869, which burned a huge swath from George to Humansdorp,
also contributed. The first Conservator Of Forests was appointed in 1874
as a direct result of a Government enquiry into the fire, but indiscriminate
exploitation was only finally stopped in 1939, when the forests were closed
to independent woodcutters.
HARVESTING
Indigenous timber is now harvested at a rate of no more than 2m3 (1 tree)
per hectare. The process - called the "mortality harvesting pre-emption
system" is strictly controlled by Government and seeks to emulate
the forests' natural cycle. Only trees which can be expected to die within
the next ten years are felled - and in the felling, space is made for
young saplings to grow towards maturity.
Apart from this limited harvesting, our indigenous forests are now protected
and will remain so for generations to come.
CONSERVATION
The history of the forests reminds us of the inter-connectedness of all
things and therefore of the need to conserve. Our forefathers saw the
forests as a vast resource which could never be depleted, but their harvesting
of timber has created other problems, like poor water and soil quality,
which will worsen unless every care is taken to preserve the remaining
natural environments.
PROTECTED TREES OF THE KNYSNA AREA
Although all indigenous trees are protected to some extent, the following
species have been given the highest level of protection:
Outeniqua Yellowwood (Kalander) - the 'big tree.' Its
timber was once used for ships' masts and is now used for furniture.
Real Yellowwood - more popular than kalander, it has
always been sought after for beams, flooring and furniture (to tell the
difference when you're in the forest: the kalander's bark peels off in
ragged blocks, while the real yellowwood's peels off in narrow, vertical
strips).
Milkwood - produces a strong, hard and durable timber
which was formerly used in boat building. Protected because it grows in
thickets which create unique micro-environments in the coastal scrub.
The bark is used in traditional medicine for treating broken limbs and
to dispel nightmares.
Stinkwood - a hard and heavy but easily worked wood
which ranges in colour from gold through brown to almost black. It is
one of the most expensive and highly prized timbers in the world and has
become a symbol of Cape culture. [read
on]
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